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$\"\"$ <\/p>\n

Observ\u00e2nd similarit\u0103\u021bile cu celebrul s\u0103u logo, Chanel Sarl a formulsat o opozi\u021bie pe baza urm\u0103toarei m\u0103rci figurative \u00een data de 29\/10\/2020:<\/p>\n

$\"\"$ <\/p>\n

La data de 11.05.2022, Divizia de Opozi\u021bie a EUIPO ia decizia de a respinge opozi\u021bia \u00een totalitate pentru urm\u0103toarele motive.<\/p>\n

Marca anterioar\u0103 este o marc\u0103 figurativ\u0103 care \u00eenf\u0103\u021bi\u0219eaz\u0103 dou\u0103 arce de cerc groase \u00eentrep\u0103trunse, av\u00e2nd un efect de oglindire. Aceasta poate fi perceput\u0103 de o parte a publicului relevant ca dou\u0103 litere \"C\" \u00eentrep\u0103trunse \u0219i opuse una fa\u021b\u0103 de cealalt\u0103. \u00centruc\u00e2t nu are nicio semnifica\u021bie \u00een raport cu produsele \u00een cauz\u0103, marca are caracter distinctiv.<\/p>\n

Semnul contestat este o marc\u0103 figurativ\u0103 care va fi perceput\u0103 de majoritatea publicului ca un dispozitiv fantezist cu dou\u0103 figuri \u00eentrep\u0103trunse de dou\u0103 semicercuri pozi\u021bionate vertical, aproape \u00eenchise, \u00eentruc\u00e2t liniile verticale ale acestora sunt \u00eentrerupte de un cap\u0103t format din linii scurte orizontale \u00eendreptate spre interiorul lor. \u00cen plus, acesta poate fi perceput, cel pu\u021bin de o parte a publicului, ca dou\u0103 litere \"G\" sau \"D\" \u00eentrep\u0103trunse. Deoarece nu are nicio leg\u0103tur\u0103 cu produsele \u00een cauz\u0103, are caracter distinctiv.<\/p>\n

Oponentul sus\u021bine c\u0103 semnul \u00een litigiu reprezint\u0103 dou\u0103 litere \"C\" \u00eentrep\u0103trunse. Cu toate acestea, stilizarea dispozitivului semnului contestat se abate de la caracteristicile normale ale literei \"C\", dar include caracteristici, cum ar fi liniile verticale \u0219i orizontale, care sunt proprii literei \"G\" sau chiar literei \"D\". \u00cen plus, semnul contestat nu con\u021bine elemente verbale care s\u0103 \u00eenceap\u0103 cu litera \"C\" sau care s\u0103 includ\u0103 litera \"C\", astfel \u00eenc\u00e2t s\u0103 determine consumatorii s\u0103 asocieze dispozitivul cu aceast\u0103 liter\u0103.<\/p>\n

Lungimea semnelor poate influen\u021ba efectul diferen\u021belor dintre ele. Cu c\u00e2t un semn este mai scurt, cu at\u00e2t publicul poate percepe mai u\u0219or toate elementele sale individuale. Prin urmare, \u00een cazul cuvintelor scurte, diferen\u021bele mici pot conduce frecvent la o impresie general\u0103 diferit\u0103. \u00cen schimb, publicul este mai pu\u021bin con\u0219tient de diferen\u021bele dintre semnele lungi.<\/p>\n

\u00cen ciuda faptului c\u0103 ambele m\u0103rci constau dintr-un dispozitiv cu un alt dispozitiv egal reprezentat \u00een mod invers, fiind \u00eentrep\u0103trunse prin laturile lor curbe, ambele descriu dispozitive \u00eentr-un stil foarte diferit.<\/p>\n

Marca anterioar\u0103 const\u0103 \u00een dou\u0103 forme circulare simple \u00eentrep\u0103trunse care sunt deschise pe laturile lor exterioare, \u00een timp ce semnul contestat are dou\u0103 dispozitive opuse \u00eentrep\u0103trunse formate dintr-un semicerc \u0219i patru linii drepte, cele mai lungi linii fiind dispuse pe vertical\u0103 \u0219i cele mai scurte fiind dispuse pe orizontal\u0103 \u0219i \u00eendreptate spre interior. Prin urmare, marca anterioar\u0103 include doar linii curbe care dau o impresie de cerc, \u00een timp ce semnul contestat con\u021bine at\u00e2t linii curbe, c\u00e2t \u0219i linii drepte. \u00cen plus, din cauza unghiurilor formate de aceste linii orizontale \u0219i verticale, semnul contestat nu d\u0103 o impresie circular\u0103 ca \u00een cazul m\u0103rcii anterioare \u0219i este mai complex dec\u00e2t marca anterioar\u0103. \u00cen plus, liniile semnelor au o grosime diferit\u0103. Marca anterioar\u0103 este reprezentat\u0103 de o linie foarte groas\u0103, \u00een timp ce semnul contestat este reprezentat de o linie mult mai sub\u021bire.<\/p>\n

Din punct de vedere conceptual, pentru partea din public care percepe dou\u0103 litere \"C\" \u00een marca anterioar\u0103 \u0219i dou\u0103 litere \"G\" sau \"D\" \u00een semnul contestat, semnele vor aduce \u00een aten\u021bia publicului conceptul (conceptele) literelor pe care le reprezint\u0103. Prin urmare, \u00eentruc\u00e2t semnele transmit concepte diferite, semnele sunt diferite din punct de vedere conceptual.<\/p>\n

Renumele m\u0103rcii anterioare a fost considerat puternic datorit\u0103 utiliz\u0103rii sale \u00eendelungate. Cu toate acestea, acest lucru nu \u00eenseamn\u0103 c\u0103 publicul relevant este susceptibil s\u0103 stabileasc\u0103 o leg\u0103tur\u0103 \u00eentre cele dou\u0103 semne. Atunci c\u00e2nd se ia \u00een considerare similitudinea dintre semnele \u00een cauz\u0103, trebuie s\u0103 se ia \u00een considerare faptul c\u0103 semnele au doar un punct de leg\u0103tur\u0103 la nivel vizual \u0219i c\u0103, din cauza diferen\u021belor izbitoare, aceast\u0103 leg\u0103tur\u0103 duce doar la o similitudine de un grad foarte sc\u0103zut. Acest lucru se datoreaz\u0103 faptului c\u0103 semnele reprezint\u0103 linii care dau impresia unor forme geometrice distincte, doar circulare \u00een cazul m\u0103rcii anterioare \u0219i mai complexe \u00een cazul semnului contestat, iar diferen\u021bele lor respective sunt suficient de memorabile \u0219i de atr\u0103g\u0103toare pentru consumatori. Prin urmare, este pu\u021bin probabil ca pu\u021binele asem\u0103n\u0103ri dintre marca contestat\u0103 \u0219i marca anterioar\u0103 s\u0103 aduc\u0103 \u00een aten\u021bia consumatorului mediu marca anterioar\u0103 chiar \u0219i pentru produse identice.<\/p>\n

Prin urmare, lu\u00e2nd \u00een considerare \u0219i pun\u00e2nd \u00een balan\u021b\u0103 to\u021bi factorii relevan\u021bi din prezenta cauz\u0103, divizia de opozi\u021bie concluzioneaz\u0103 c\u0103 este pu\u021bin probabil ca publicul relevant s\u0103 fac\u0103 o leg\u0103tur\u0103 mental\u0103 \u00eentre semnele \u00een litigiu, adic\u0103 s\u0103 stabileasc\u0103 o \"leg\u0103tur\u0103\" \u00eentre acestea. Prin urmare, opozi\u021bia trebuie s\u0103 fie respins\u0103.<\/p>\n

Cu toate acestea, decizia nu este definitiv\u0103 \u0219i poate fi atacat\u0103 \u00een termen de dou\u0103 luni de c\u0103tre Chanel Sarl.<\/p>\n

Marian Constantin - Consilier Juridic<\/p>\n\n<\/div>\n\n<\/div><\/div>\n\n\t\t\t<\/div> \n\n\t\t<\/div>\n\t\t\n","protected":false},"excerpt":{"rendered":"

\u00cen data de 22\/07\/2020, iDeal Of Sweden AB a solicitat \u00eenregistrarea la EUIPO (Oficiul Uniunii Europene pentru Proprietate Intelectual\u0103) a urm\u0103toarei m\u0103rci figurative pentru mai multe produse, cum ar fi „carcase de protec\u021bie pentru telefoane mobile” \u0219i „metale pre\u021bioase”: Observ\u00e2nd […]<\/p>\n","protected":false},"author":1,"featured_media":4285,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[2],"tags":[1874,1872,1873,267,1619],"yoast_head":"\nConflictul dintre Chanel \u0219i iDeal Of Sweden - Nomenius<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/grecupartners.ro\/nom\/conflictul-dintre-chanel-si-ideal-of-sweden\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Conflictul dintre Chanel \u0219i iDeal Of Sweden - 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